LACED WITH WAX

Adam Drucker (Doseone) reflects on his career and the steps that led to him creating the Enter the Gungeon soundtrack. 

By Jerry Jeriaska of The Ongaku

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The Frostpunk series composer offers insights into the past, present, and future of 11 bit studios orchestral game scores. By Jerry Jeriaska

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The American composer chats about his collaboration with The Chinese Room on their all-at-sea horror video game, and commissioning custom sculptures to help unsettle players. By Thomas Quillfeldt

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Days Gone features a layered adaptive score overseen by the composer and implemented by the audio team. Five years on from launch, Nathan Whitehead reflects upon the various stages of the creative process.

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Here’s a rundown of everything Laced Records announced in 2023, including vinyl soundtracks for Hi-Fi RUSH, Devil May Cry, Yakuza: Like a Dragon, Quake II and many more. Thanks so much to everyone who supported the label throughout 2023!

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We caught up with The Last Guardian and Mythic Quest composer about his love of the great Hollywood sci-fi scores, the colours of the orchestra, and minimalism. By Thomas Quillfeldt

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The multidisciplinary creator known as Morusque details some of the thinking, tricks, and trade-offs behind the audio for feline adventure Stray.

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Here’s a rundown of everything Laced Records announced in 2022, including vinyl soundtracks for Hotline Miami 1+2, Resident Evil (1996), Assassin's Creed, and many more.

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Composer Tom Salta spoke to Laced With Wax about channeling the style, harmony and instrumentation of the late 1960s for Arkane’s award-winning time loop shooter. By Thomas Quillfeldt

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Here are some of our favourite game cues that send the spirit soaring as they take inspiration from the rich orchestral instrumentation of the Classical and Romantic eras. By Thomas Quillfeldt

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We spoke to the BAFTA-nominated composer about his emotive score for Lost Words: Beyond the Page, turning it up to 11 for Battletoads, and how he crafts his moving melodies. By Thomas Quillfeldt

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The LA-based composer — a specialist in scaring the crap out of listeners — has worked on some of gaming’s biggest series, including Mass Effect, God of War, Borderlands and Resident Evil. By Thomas Quillfeldt.

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