LACED WITH WAX

Days Gone features a layered adaptive score overseen by the composer and implemented by the audio team. Five years on from launch, Nathan Whitehead reflects upon the various stages of the creative process.

Read more

We caught up with The Last Guardian and Mythic Quest composer about his love of the great Hollywood sci-fi scores, the colours of the orchestra, and minimalism. By Thomas Quillfeldt

Read more

Composer Tom Salta spoke to Laced With Wax about channeling the style, harmony and instrumentation of the late 1960s for Arkane’s award-winning time loop shooter. By Thomas Quillfeldt

Read more

Here are some of our favourite game cues that send the spirit soaring as they take inspiration from the rich orchestral instrumentation of the Classical and Romantic eras. By Thomas Quillfeldt

Read more

We picked some of our favourite HUMONGOUS music tracks from games — MASSIVE-sounding pieces that escalate encounters and raise the heart rate. Track picks by Thomas Quillfeldt, Mat Ombler and Barry "Epoch" Topping

Read more

Laced With Wax caught up with the Danish composer and game audio specialist who played a large part in creating some of the moodiest games scores and soundscapes, including LIMBO, INSIDE and Control. By Thomas Quillfeldt

Read more

The audio High Command at Ubisoft Paris assembled a crack squad of veteran rock and electronic musicians to improvise the growling soundtrack for the shared-world shooter. By Thomas Quillfeldt

Read more

Laced With Wax chats to the composition duo behind PSVR shooter Blood & Truth, about being experimental pioneers in music for VR, how orchestral grime was the obvious fit for a blockbuster action story set in London, and their hopes for the future of audio on the next-gen PlayStation. By Thomas Quillfeldt

Read more